Out of Order
Winner of the 2021 Donald Justice Poetry Prize, selected by Quincy R. Lehr
Out of Order
Winner of the 2021 Donald Justice Poetry Prize, selected by Quincy R. Lehr
About the Book
Alexis Sears’s debut collection, Out of Order, is a collage of unapologetic intimacy, risk-taking vulnerability, and unwavering candor. A biracial millennial woman, Sears navigates the challenges of growing out of girlhood and into womanhood with its potential dangers, interrogating the male gaze, beauty standards, and confidence and identity. Pop culture references run through the collection, with rock icons David Bowie and Prince and poets like Kenneth Koch offering windows into desire and adaptation. In these poems, Sears works through heavy topics, such as loneliness, mental illness, chronic pain, the legacies of race and racism, and the aftermath of a father’s suicide. This young poet demonstrates an uncommon mastery of craft, writing in forms including the sonnet redoublé, sestina, canzone, and villanelle. With all her linguistic skills, Sears’s work remains approachable, offering readers a striking blend of honesty, humor, anguish, joy, and surprise.
Praise for Out of Order
Sears’s book is a winner of the Donald Justice Poetry Prize, and you’ll find few modern poets with a truer relationship to the power of form. Sears works deft ly with sonnets, crowns of sonnets, canzones, and more—but no matter the form, these are poems of fi nding voice and the lines beating against the form like a heart beating through the pain of repetition.
—Gale Hemmann, Rain TaxiOut of Order by Alexis Sears is an irreverent interrogation of loss that insists on the poet’s right to explore grief on her own terms.
—Harriet Books, Poetry FoundationSears’ ability to fuse absolute candor about her own vulnerabilities with formal virtuosity—even humor—is remarkable. That humor—bleak, ironic, sometimes hopeful—lends her work an electric charge, the touch of exhilaration that is art’s recompense for pain.
—Literary MattersAlexis Sears dazzles while writing and reckoning with form. The sonnet crown, villanelle, sestina, and epic are honed by obsessions woven with levity amidst the madness of trauma and loss. I applaud the startling specificity, emotional truths, and stunning similes spilling throughout this collection. Out of Order packs a potent poetic punch with glosses to W.H. Auden, Kurt Cobain, and crying in Priuses. Here’s to a poet that takes risks on the page with lyric grit and brilliance.
—Tiana Clark, author of I Can’t Talk About the Trees Without the BloodIf you have never read Alexis Sears, prepare yourself. Her poems draw blood. It’s hard to think of a debut collection since Heart’s Needle that is at once so deeply felt and so finely tuned. In her hands, form is the fist that delivers the blow, conveying the pure force of language. With so much at stake—identity, melancholia, a father’s suicide in a distant place—feeling could easily overwhelm and blur, but Sears’s poems remain precise and richly textured. Her poems do not succumb; they triumph, as we do, thrillingly, through them.
—David Yezzi, author of Black SeaAlexis Sears’s debut collection posits grief as a form of its own. A fitting winner for the 2021 Donald Justice Prize, the collection is rife with formal poems and tightly controlled rhyme. . . . Delivered with unwavering candor, the grief at the heart of this collection is a gift of trust: we’ve followed our heroine through poems of depression, microaggressions of biracial identity, and yearning. Thus, when the time comes, she’s left us prepared for the unadorned honesty of her loss.
—MudRoomThere is a danger in writing about yourself, your obsessions, your insecurities, your deeply personal memories, to where it is almost a workshop stricture to avoid such things where possible. Alexis Sears, though, knows that her pain is not different, and she writes about herself in a manner both critical and compassionate, analytical and empathetic, and with such technical savvy and linguistic confidence, that the reader, regardless of his or her biographical specifics, can not only identify with her, but viscerally understand what it is to be young (at least relatively so) in this historical moment.
—Quincy R. Lehr, author of The Dark Lord of the Tiki Bar